This event will be held in Russian with English translation, and is part of the CERIA Initiative, generously funded by the Henry Luce Foundation.
Directed by Usman Saparov
This film “tells an intimate story within the larger historical context of the deportation of ethnic Germans from Turkmenistan to Siberia during the Second World War. Saparov’s historical narrative touches on one of the most complex questions for the modern ‘little person,’ the question of ‘motherland’. The film received Grand Prizes at six international festivals, and many other awards.” [http://events.stanford.edu/events/269/26983/]
Religious radicalization among Central Asian migrants to Russia have raised particular attention in connection with the active recruitment by the “Islamic State” of many people from the region, as well as their participation in a series of terrorist attacks in Turkey. Many experts have wondered whether Central Asian migration to Russia creates fertile ground for spreading the most extreme forms of religion. The breakdown of social structures and customary practices, social isolation, and the negative attitude of the local community to migration feed–as several experts have asserted–the radicalization process. In this presentation, Sergey Abashin, using contemporary sociological and anthropological studies, will analyze the main features of migration from Central Asia to Russia, its structure, dynamics, the legal status and living conditions of migrant workers, and their main strategies and perspectives about their future. He will address the place of religion in migrants’ identity and practices, the types of religiosity and the potentially increasing radicalization.
Sergey Abashin is doctor in history and professor at the European University in Saint-Petersburg. He has authored two monographs, Nationalism in Central Asia: In search of Identity (2007) and The Soviet Kishlak: Between Colonialism and Modernization (2015).
Islamic Education and Knowledge Transmission in Central Asia
April 10, 2017, 9:30am-3:00pm
Central Asia Program, IERES
George Washington University
1957 E Street, NW, Lindner Commons, Suite 602
9:30am. Session 1. State Institutions, Muftiates and the Teaching of Islam
Sebastien Peyrouse (George Washington University)
At The Crossroads of the Religious and Regime Security: The Teaching Of Islam In Uzbekistan
Kamal Gasimov (CAP Fellow)
Ideology of Islamic Education and the Struggle Over Transmission of Religious Knowledge In Azerbaijan
Gulnaz Sibgatullina (Leiden University)
Russian vs. Ethnic Vernaculars: Languages of Islamic Education in the Post-Soviet Space
11:00am. Coffee break
11:30am. Session 2. Religion and Ethics at School and in the Media
Rafael Sattarov (CAP Fellow)
State-Backed Ideological Policy and “Spirituality and Enlightenment” in Uzbekistan
Donohon Abdugafurova (Emory University)
Islam, Morality and Public Education: Religious Elements of Ethics and Etiquette in the Uzbek School Curriculum
Noah Tucker (CAP Associate)
Identifying Islamic Education and Indigenous Counter-Extremism Resources in Kyrgyzstan and Tajikistan
1:45pm. Session 3. The Informal Transmission of Religious Knowledge
Nurbek Bekmurzaev (Norwegian Institute of International Affairs)
Mediatization of Religion in Kyrgyzstan: Redistribution of Power and Changing Perceptions of Religion
Benjamin Gatling (George Mason University)
Learning to be a Sufi in Tajikistan
Yanti Hoelzchen (Tuebingen University)
Kyrgyzstan’s New Mosques: The Institutionalization of Islamic Education In Contemporary Kyrgyzstan
This event is part of the CERIA Initiative, generously funded by the Henry Luce Foundation.
Directed by Rustem Abdrashev
“Set in 1949, just before Stalin’s 70th-birthday jubilee, the film centers on Sasha (Dalen Shintemirov), a 9-year-old boy who escapes from a train transporting Jewish refugees from Moscow to Kazakhstan.
“Hidden among the shrouded corpses callously dumped on the tracks, Sasha is rescued by an aging railway worker (Nurzhuman Ikhtimbaev) and taken to his tiny village. There, in an ethnic melting pot of other exiles, he is cared for by Vera (Yekaterina Rednikova), an earthy Russian, and Yezhik (Waldemar Szczepaniak), a shy, thoughtful Pole.” – JEANNETTE CATSOULIS, The New York Times
Directed by Byambasuren Davaa
“Two Horses presents a stiff look at the crushing after-effects on Mongolian heritage in the years following the Chinese cultural revolution, in which priceless artifacts of music and art were destroyed, including the family heirloom of this story’s protagonist – a nineteenth century horse head violin engraved with the words of an old and largely forgotten Mongolian folk song.
“Unlike almost any other song, the verses of the song after which the film is titled embody the history and paradigm change of the Mongolian people. For singer Urna Chahar Tugchi, the song becomes the touchstone of her cultural identity after making a promise to her late grandmother to bring the family’s old horse head violin back to the homeland. Her grandmother was forced to destroy the beloved violin in the tumult of the Chinese Cultural Revolution, and now only the head and neck remain intact, along with a few of the verses of the folk song that were engraved on the neck. With the dark days of the revolution now past, it is time to fulfill the promise.” – Corinth Films